Ancient Symbols
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Written by
Renet aka Valhyr

What do we know of ancient symbols?
The truth is that we know very little as there is no written sources for most of these symbols. Symbols from different cultures and even different tribes can mean different things, no one can say for sure what a dot or a circle on a rock means - like today we can draw one thing in many ways and it was true also back then.
In this article I will cover the most common interpretations and widely agreed upon meanings for these symbols but I also think it's important to keep in mind that no one person can claim to know what these meant to people back then. If someone claims to know or have some inside information on ancient symbols then I highly suggest disregarding their take on these cause it's likely they have an agenda. Hopefully this article will help you draw inspiration and ideas from the people in the past though, be it for your artwork, writing, tattoos or whatever you enjoy doing!
Basic shapes

Used almost everywhere to symbolize the sun but sometimes the moon as well, with the sun being more decorated and moon being an empty circle or a half circle to symbolize the moon cycle. If the circle is added to a pole it could symbolize a human or a leaf/sprout as with the tree of life that I’ll explain further down, Later on in sigils and galdrastafir a ring around the symbol would mean to contain the powers of that symbol - this is probably from Solomons sigils where a circle around would contain the demon inside the sigil that is being summoned.

Use is unknown but in tapestry it’s a substitute for lines. In petroglyph art it’s speculated that it could’ve been a measurement of some sorts for a distance between two objects, perhaps a grove and a village but it’s uncertain. It’s also plausible that stones were carved with sacred symbols and the dots were then used as a place to crush seeds or herbs in to empower them similar to how wheat and coffee powder are made. The dot is usually a supplementary symbol, meaning that other symbols are needed for it to give meaning to them. For example the dots on the letters ö and ä or the letter i and so on - the same is with symbols. If a dotted line is between two petroglyph warriors then it probably means a border. Dots could also be from constellations, as back then people would stare at the sky and draw symbols between the different stars and perhaps draw or carve them the next day on rocks.

It’s seen on burial sites and is associated with journey and perhaps the underworld or a journey into a new existence. The spiral is also associated with the magic of the Vikings (I use this word to turn up in search engines forgive me) called Seidr (seiðr). Seen on the trispiral of pre Celtic origin as well in Mexico there is a thing called sun dagger where the sun would shine upon a spiral and thus indicating what part of the year it is with equinoxes and solstices aligning with the spiral being marked. Spirals have been connected with sunrise and the moon phases as well but they are dominantly very positive symbols.

Supporting the earth and the heavens, the road between the the ground and the skies. With the top part being connected to the sky with the polestar. On tapestries or between two different symbols it would mean the division of the two, subtracting the meanings and leaving only the unique parts of each symbol.

Many different meanings. Most common I’ve come across is that it symbolizes the meaning of the horizon something very far and unreachable thus having great power and mystery to it. In tapestry it could be just as a stylization element but there are survived meanings for this in Estonia and Finland, they are that a line above a symbol would increase its power and when it’s under it multiplies the symbols meaning and if the sign is between two symbols it joins their powers.

A triangle really depends on the context. In addition to those mentioned above it can mean a tent/home, symbolize movement and the cycle of the sun or moon. A triangle could mean royalty or heritage with two tips being the king and queen, mother and father and the single tip being the next ruler in line. A triangle pointing upwards could mean the sign of a god or gods since it was believed in most european cultures that gods lived above our world in the sky and the triangle pointing upwards was pointing at them. A triangle pointing downwards would instead mean earth spirits and earth itself as well as humans and villages.

Mostly based on tapestries and artwork, its most prominent meaning is water. It could also be just a decorative element or symbolize a forest with the triangles being the tip of the trees but this depends on which symbols surround the symbol.

This also ties into the Swastika with that symbol being for thunder and the thunder god Thor. A column of triangles would depict lightning or a ray of sun and would later evolve to be the sōwilō rune which represents sun.

The cross has its origins probably in the sun most specifically the rays of sun. Crosses are most commonly associated with protection and the force of good and empowering positive outcomes. The protection against especially evil beings like werewolves, the undead(a combination of vampire and zombie today) and people who wish you harm. Combining a regular and diagonal cross we get one with 8 tips which would mean protection against all directions and against everything really. Crossroads themselves would be associated with the connection to the underworld and usually in these places sacrifices were made to speak to the spirits.

A square could mean a plethora of things. Most common I’ve seen are a meeting place or a center of a town or such as well as a connecting place. It could also mark belonging of people like a way to group up elements inside it. It’s always used as a complementary element rather than alone

Most common representation for it is fertility both for women and the earth. A rhomb with a circle in the middle would mean a crop and when there are hooks on the end of the symbol then those probably meant sprouts. The meaning of this dates back to the neolithic age.

The symbols meaning is kind of foggy and its origin as well, it is widely used for decorative purposes - filling in an empty space. But the loop is endless thus it’s likely related to infinity as with similar symbols and with this symbol it’s also important to see what other symbols surround it. It’s also drawn above doors or on gravestones so we can derive from that it protects against evil spirits or keeps evil at bay

Probably the most butchered meaning and people still continue to butcher it today. Extremists on both sides have given this symbol a meaning that it no way deserves and it’s sadly banned in some countries thus both sides decide to keep that negative symbolism with it and give that negative meaning even more power when we could as well move past that horrible time. One of the most sacred symbols of our folk, it symbolized a sunwheel in motion. It was associated with the lightning deities of different cultures like Thor, Taranis, Taara, Ukko, Thunar and so on. Associated with the sun it was also a symbol tied in with fire, it’s said to help against sickness, the magic of your foes and evil spirits.

Close relative to the swastika, this was to symbolise the moon and the three stages of our moon. It could also represent the sun or the stead of the sun. It’s believed the triskele wards off evil spirits.

This symbol has it’s similarities with the Valknut and perhaps it’s often sharing the meaning. It is often used with other symbols rather than alone and added into rock carvings and tapestries to fill spaces so it’s often used as a decorative element.

To protect against fire and evil spirits, it was associated with the rowan berries since they have a pentagram at their tip. The rowan berries were spilled around the yard of a farmstead to protect against fire breaking out.

Often the insides are decorated with other symbols or patterns, the symbols inside the hexagram would then be set in motion and empowered. The symbol is connected to the winter and especially Yule and it’s most likely a representation of the Polestar and called the star of luck.

This symbolises the cells of a well or a plan of wood planks on a house or farmstead thus symbolizing home, it depends on the surrounding elements and was almost always used as a complimentary piece rather than alone. The word thorpe meant field or farm in Old Norse so the todays word for it means eight fields.

It’s universally the symbol for the sun and the earth/nature, in some northern and eastern parts of europe it’s symbol is more developed into harmony and meaning the whole in a sense that it emcompasses the existing. Some of these are very similar to the petroglyph solar wheel.

Not much has remained from these but considering different artworks have a certain number of spikes then we can say it meant something. Some verbally remained meanings are that 5 spikes meant to stay silent and to listen, 6 spikes meant unity, community, luck and fortune, 7 spikes meant the whole and belonging.

The meaning of love was later attested to this symbol, it’s speculated that the symbol derives from a now extinct plant called Silphium, it was used as a spice but also as a medicine and birth control. The symbol comes from the seed of the plant that was said to resemble the shape of the heart symbol and it’s recorded by many ancient texts. Due to the plant being extinct we can tell the ancestors liked it, another possible meaning for this could be the breasts of a woman, the behind or like the Venus of Lespugue the breasts and the stomach section down to the legs and thus rather being associated with fertility and sexuality. The meaning of romantic love was probably given to this symbol around the 10th to 12th century.

A very ancient symbol, apples are associated with several gods afterwards and they serve the same meaning as youthfulness and beauty.

This one again depends on the surrounding elements a lot, most of the time it was decorative with perhaps meaning resting or to soothe the magic of the elements around it so it would not get too crowded. It was probably also used to mark where great hunting/gathering grounds are or something similar - these are very ancient and hard to tell for sure, we can only guess based on the elements around it.

Very ancient symbol as well, since our ancestors were very keen of groves then this is a very prominent symbol across all of europe. To the vikings it symbolized the connection between the nine worlds and was to them the combination of two algiz runes, it’s also speculated that the algiz rune developed from this symbol as a lot of runes have come from earlier symbols. One variation of this symbol shares its visual with the Donderbezem that was very popular around the area of the Netherlands.

It symbolizes visually the end of a broom. Mostly found around the Netherlands and parts of Germany and Poland. There was a tradition to leave a broom at the door to not let spirits in when leaving the house, this was practiced around a lot of places but the symbol is mostly from the previously mentioned places. Later on the symbol evolved into a mill or a variation of the tree of life. It was associated with the god Thor and could be the ancestor of the hagalaz rune as well.
PETROGLYPHS, CAVE PAINTING AND ARTWORK

Most of the ships depicted are full of men so it’s safe to assume these were war ships. Some are depicted with what seem to be priests on them with slightly curved heads or robes. Our ancestors paid great respect to the ships, they were not just for travelling but living and breathing beasts to them. The ships would be carved or painted on burial sites as well since the journey in the afterlife would be taken on a ship or a cart.

People were painted or carved hunting animals or waging war against each other. These could have been important events that were recorded as artwork, ceremonial rituals or tales from mythology as we often see a similar depiction which indicates that it might be a tale our ancestors told each other or perhaps a myth of a deity. People were also painted kissing and showing emotions, spinning the sunwheel, riding on carts, dancing, performing sacrifices or rituals and doing all kinds of different activities. People depicted with bent knees or in dancing motion could also mean those that have passed the ancestors as well as bent knees could mean giving birth as we sometimes see people with bent knees and something attached to their stomach

On petroglyphs found in todays Finland we see petroglyphs of elks with their antlers carrying people, this could be a similar ritual to the ships that would travel in the afterlife. Often elks are depicted together with humans, the reason is unknown but it could mean that elks were seen friendly and people coexisted with them and honored them, the human is almost always depicted exactly behind the elk. Some pictures show people riding them and some have the humans strangely close to the behind on an elk, but lets not make any assumptions here perhaps there was not much room on the rock.

Horses were domesticated over 6000 years ago and the art travelled with the people to todays Europe, with possibly a military takeover due to some traditions changing very suddenly from archaeological finds thus indicating that no merging of cultures happened but rather a sudden stop of traditions. The horse itself was like a Tesla today only that we don’t eat our cars. It symbolized wealth and mastery as well as supernatural meanings. In a lot of the cultures the sun was carried across the sky on a horse or in a chariot that was pulled by a horse. There are ancient artifacts found where the wheels of a cart would be golden as well as the horse itself would be on golden wheels with a sun in it’s chariot - which presumably was a toy or a decorative, ceremonial item. The norse gods had horses and one specifically famous is Odins horse and Lokis child called Sleipnir with 8 legs, this was possibly a reference to movement and especially fast movement.

A somewhat forgotten animal which once was perhaps the most important and tied to war as we see a lot of early depictions where warriors wear boar pelts or boars on their helmets. Boar meat was served at Valhall for the Einherjar along with mead every night, with the boar Sæhrímnir being slain and resurrected each day. What a way to live. The animal was also associated with the norse gods Frey and Freya who both are of the Vanir family who were older gods and probably worshipped hundreds of years before Odin and others came along

The bear was perhaps the most feared of the beasts with even saying the word bear would summon it, thus dozens of nicknames were given to the bears in all of the cultures. Berserkers would wear bear pelts likely and they were exiled from communities to live on the outskirts of towns in the forests nearby since they were deemed to dangerous to live within the society.

The wolf is a respected animal and fear often goes hand-in-hand with it thus it depends on the depiction. Wolves are seen as taking care of people as well for example Romulus and Remus the founders of Rome drink the milk of a she-wolf and wolves move in packs most often, thus giving more meaning to the symbol of loyalty. Ulfhednars were a sort of similar being to Berserkers, with them wearing wolf pelts instead of bear. Ulfhednars were assigned to Odin while Berserkers were assigned to Thor. They were seen as an even fiercer force than the Berserkers though with not wearing shields or any protection

The god Odin had two ravens Huginn and Muninn who were representations of thought and memory. Ravens were omen bringers and often associated with fortune telling and signs of future, although any animal could be a Fylgija (animal manifestations of people basically) they were mostly associated as one.

The most common symbol, the solar cross, sun wheel, spoked sun or how any way you wish to call it. It’s a great symbol of our ancestors that symbolizes the sun and I’d like to think that the four dots inside the sun are representations of the four season with sun spinning them around to us. The sign was associated with fertility. The symbol is associated with a lot of festivals during midsommer festivities there are wreaths made and burned in the shape and people would roll burning solar crosses down hills to symbolize the movement of a sun.

Often we see larger depictions of humans on rock carvings, it could mean they are closer to the viewer and on the foreground while others battle in the distance if we put it into a three dimensional view but they are very likely warlords and leaders with the size depicting their ranking and status in a community rather than their actual size. We often see them decorated highly with clear weapons and battling one another.

They do seem to be rather related to rituals as they are often seen around altars thus we can attribute those on the ship to symbolize perhaps a journey through the afterlife? An offering of respected people by the community going to talk to some ancestors from the underworld. The number 8 seems to be associated with them given that usually it’s 8 priests depicted in a line - considering 9 was a sacred number perhaps the ninth priest was a deity or the ninth being offered.

The sun was carried in a chariot by horses in a lot of cultures and the chariot was an incredible invention to our ancestors. It allowed greater movement so as the ship it was viewed as something very sacred and rather a living being a part of the people. The chariot is associated with a lot of deities and rituals, for example a ritual associated with Nerthus was to drive a wagon through the city to a grove in a swamp. The god Freyr is often depicted in a chariot as well as other gods riding in chariots. The chariot or rather a cart also enabled the transportation of heavy objects and large quantities of objects to be transported with ease. It was also associated with the afterlife journey one would take.

From this we can learn what weapons were valued and which were used, we see hammers, clubs and axes as well as spears, bows and slings with some warriors wielding shields which are sometimes decorated as solar crosses or other decorative elements added to them. From this we can see clearly which was used for which activities and assume shield were decorated, with bows and spears mostly being for hunting animals. While axes and clubs seem to be for warfare and rituals, a club or a hammer could be associated with the earlier version of the god Thor with the rituals being that the sacrificial person or animal being beaten to death with a club.
VIKING, NORSE, CELTIC AND GERMANIC

The knot the fallen (those slain in battle), it’s actually a modern name for this symbol. Check out Arith Härgers video about it here: https://www.youtube.com/watch?v=o_OY4CW7eeU . As he explains there is no known meaning for this symbol. But the symbol itself was most likely associated with Odin and sacrifices. My own interpretation is that it could mean movement or fire considering what the triangle could mean and fitting it to the surrounding image it’s often seen in. It could also be a state of mind or emotion, the symbol is always a supplementary image added to fill space it seems. It’s speculated it might be the Heart of Hrungnir whose head, heart and shield were made of stone with the heart said to have triangular shape, said to be three sided. From the source text :

Seen on the Överhogdal tapestries the symbol is likely to symbolize Yggdrasil with people and animals rushing by it. It is speculated that the tapestry is a representation of Ragnarøkkr

ts likely related to the mead of poetry that Odin drank for three days while seducing the frost jotünn Gunnlöð, he said to take a sip and then drank the horn in one sip. After three days he dipped while disguised as an eagle. A regular Tinder date if you ask me, that’s the first netflix and chill recorded. The horns had names which were Óðrœrir, Boðn, and Són and they contained the whole mead of poetry in them which was created from the slain Kvasirs blood mixed with honey. It’s said that there was no question Kvasir could not answer. Some tie this symbol together with the so-called Valknut. It is found on the Snoldelev runestone, the Gotland G268 runestone and possibly the Tängelgarda stone where a warrior on a horse who possibly is Odin is seen with the symbol decorated on his shield.

The design features the web of fate, also called Skulds Net, The Matrix of Fate or Helrunar which is from a book by the same name. The design can fit each rune into it and its origin is most likely from the Helrunar book written in 1997.

It was first created around 1990 by the blacksmith Kari Erlands, this is a symbol thats often practiced by blacksmiths. He said it was based of a rune found at his grandparents house. The design itself is similar to the Odal rune and possibly derived from it considering the Othala rune was drawn on doors as well to protect and variations of it were created often to be then used as family symbols. The symbol itself would be carved or crafted on top of a door to prevent trolls and evildoers from entering the premises.

The hammer of Thor that was crafted to him by the dwarves Brokkr and Eitri, the handle of it is short due to Loki making memes with the dwarves while they were busy crafting this thing. The hammer is said to change its size with it fitting in the hand or in the pocket or as jewelry. The wedding of Vikings would involve an imitation of Mjölnir with it being placed in the brides lap, sometimes this could’ve been an axe as well. This would then ensure a fruitful marriage with the blessing of Thor, considering it was placed in the lap it could’ve also blessed the family with a lot of sons. The Mjölnir was worn during the Viking age as a necklace and was often made of bronze.

Odins spear, it would not miss its mark and often Odin would sacrifice people on his spear. Sacrificing someone by hanging them or piercing them with a spear was the way to offer that person to the god Odin, the words “Nu gef ek pik Odni” would be said before impalement. Gungnir was also made into jewelry and then worn to gain the blessing of Odin.

The ravens of the god Odin with Huginn meaning thought and Muninn meaning memory. Odin fears that one day they will not return anymore, this is probably a reference to sanity. As in the older days elders were not really respected that much, we do see from the times of the neanderthals that people were not as cold as it seems, they cared for one another and those that fell ill or were badly injured were taken care of, we can say this by looking the way bones have healed over time meaning that the person had time to heal. But this could hint at Odin being afraid of falling old or with the wisdom he acquires he ends up suffocating himself with all this information and going completely insane. Huginn and Muninn fly around midgard and bring back news to Odin of what the humans are up to. They are often depicted above the head, coming from the head or sitting on the shoulders.
RUNES AND FUTHARKS
Learn The Runes

Runa means secret or breath/whisper and they were used for decorative as well as magical purposes. They could be used to write something but we also see rune sequences that clearly indicate they were used for ritualistic purposes or to bless something - or perhaps curse something. They are often seen on runestones which are basically gravestones as well as amulets, ships and even everyday objects. Each rune has a so-called meaning but these were likely to better remember the rune, but thanks to these we know what each rune represents thus we have a better understanding of the enchantments we see - unless they are ciphered. The rune poems exist in Old Norse, Ango-Saxon English and Icelandic and there is a wonderful song by Heilung called Norupo which is one of these rune poems. A rune itself would most likely not bare any power at all, but rather it is unlocked when used in a sequence. Often the words “Erilaz” and “Vitki” were seen engraved on rune writings with Erilaz probably meaning a ranking like Earl/Jarl and Vitki meaning a magician, both probably refer to someone who has the knowledge of the runes, thus it’s a bit of a flex. What I’d like to compare runes with in modern days is programming, people who have not been in touch with development probably see this as a bit of magic - but for someone that has mastered it they can create things, so perhaps someone would flex like “I the Java-developer, write this line of code to turn a button green”. The story behind how the runes were created was that Odin went to the tree that no one knows where the roots come from, possibly Yggdrasil and hanged himself - he then came down the tree and yelled “I took the runes, I took them!” and he was the one that introduced them to the humans. This is probably symbolic how writing has helped pass along information so much better that it’s seen coming from somewhere above and a greated being.

The dominant writing system before the Younger Futhark and Anglo-Saxon Futhark, used for magic and writing by the germanic people. Sadly not a lot remains as most things were engraved in wood. This is the oldest Futhark we know of right now and the way it was written varied a lot depending on the writer and region. The runes went through a lot of different forms as well, the ones we know today are based on a few findings for example the Kylver stone, the sequence is also derived from there. It's uncertain why there is such a different order of the letters to the alphabets where they begin A B C and this begins with F U TH. It is speculated this could have some magical purposes to it, the people who wrote these certainly knew of the other alphabets as there was a large trading system during the bronze age in Europe and the East, it remains somewhat a mystery today where we can only suspect and interpret why it is how it is. Runes would be split into rows of 3 with each row having 8 runes, this was important later on for ciphering as well. The futhark is likely based on some of the more simple symbols you can see above as well as other alphabets ie the Greek, the theory is that these symbols evolved into this writing system over time with the Elder Futhark perhaps at one time containing of only 10 runes and such.

The goths used a very similar alphabet to the elder futhark as well, it was recorded by a priest called Alcuin in the 9th century. He did not know gothic himself but wrote down the names and meanings of these runes/letters which are very similar to the Elder Futhark and the Greek alphabet. Thanks to this we can also populate the meaning we know for the Elder Futhark.

They are derived from the Elder Futhark that was prominent among the germanic people and then spread to Frisia from where it traveled with the people to England. The Ango-Saxon one consist of 26 runes and was used until early medieval age.

The younger futhark was mostly used during the Viking age and a bit before that. It was a simplified version of the Elder Futhark with different versions of this as well depending on the region. There were long and short branch runes as well as specially Danish, Swedish runes of the Younger Futhark. The part of the name Futhark comes from the first runes in there F U T H A R K similar to how Alphabet is Alpha Beta - A B... The name futhark is a modern day name to distinguish the writings from one another and it’s based on sequences found in engravings such as the Kylver stone. These were used for magic as well.

Elder Futhark: ᚠ (Fehu) - Wealth, Cattle, The God Frey
Younger Futhark: ᚠ ( Fé) - Wealth
Anglo-Saxon Futhark: ᚠ (Feoh) - Wealth
Gothic Futhark: 𐍆 (Fehu) - Fe
Wealth is a source of discord among kinsmen
the wolf lives in the forest.
Fé vældr frænda róge
føðesk ulfr í skóge.
Wealth
Source of discord among kinsmen
and fire of the sea
and path of the serpent.
Fé er frænda róg
ok flæðar viti
ok grafseiðs gata
aurum fylkir.
Wealth is a comfort to all men;
yet must every man bestow it freely,
if he wish to gain honour in the sight of the Lord.
Feoh byþ frofur fira gehwylcum;
sceal ðeah manna gehwylc miclun hyt dælan
gif he wile for drihtne domes hleotan.

Elder Futhark: ᚢ (Ūruz) - Aurochs (Or Ûram Water/Slag?)
Younger Futhark: ᚢ ( Úr) - Iron/Rain
Anglo-Saxon Futhark: ᚢ (Ūr) - Aurochs
Gothic Futhark: 𐌿 (Ūruz) - Uraz < Ūrus Aurochs
Dross comes from bad iron
the reindeer often races over the frozen snow.
Úr er af illu jarne
opt løypr ræinn á hjarne.
Shower
Lamentation of the clouds
and ruin of the hay-harvest
and abomination of the shepherd.
Úr er skýja grátr
ok skára þverrir
ok hirðis hatr.
umbre vísi
The aurochs is proud and has great horns;
it is a very savage beast and fights with its horns;
a great ranger of the moors, it is a creature of mettle.
Ur byþ anmod ond oferhyrned,
felafrecne deor, feohteþ mid hornum
mære morstapa; þæt is modig wuht.

Elder Futhark: ᚦ (Þurisaz) - The God Thor, Giant
Younger Futhark: ᚦ ( Thurs) - Giant
Anglo-Saxon Futhark: ᚦ (Þorn) - Thorn
Gothic Futhark: 𐌸 (Thurisaz) - Thyth
Giant causes anguish to women
misfortune makes few men cheerful.
Þurs vældr kvinna kvillu
kátr værðr fár af illu.
Giant
Torture of women
and cliff-dweller
and husband of a giantess.
Þurs er kvenna kvöl
ok kletta búi
ok varðrúnar verr.
Saturnus þengill.
The thorn is exceedingly sharp,
an evil thing for any knight to touch,
uncommonly severe on all who sit among them.
Ðorn byþ ðearle scearp; ðegna gehwylcum
anfeng ys yfyl, ungemetum reþe
manna gehwelcum, ðe him mid resteð.

Elder Futhark: ᚨ (Ansuz) - The God Odin
Younger Futhark: ᚬ ( As/Oss) - God, The God Odin
Anglo-Saxon Futhark: ᚩ (Ōs) - God, Or Mouth Latin
Gothic Futhark: 𐌰 (Ansuz) - Aza < Ans God Or Asks Ash
Estuary is the way of most journeys
but a scabbard is of swords.
Óss er flæstra færða fǫr
en skalpr er sværða.
God
Aged Gautr
and prince of Ásgardr
and lord of Vallhalla.
Óss er algingautr
ok ásgarðs jöfurr,
ok valhallar vísi.
Jupiter oddviti.
The mouth is the source of all language,
a pillar of wisdom and a comfort to wise men,
a blessing and a joy to every knight.
Os byþ ordfruma ælere spræce,
wisdomes wraþu ond witena frofur
and eorla gehwam eadnys ond tohiht.

Elder Futhark: ᚱ (Raidō) - Ride, Journey
Younger Futhark: ᚱ ( Reið) - Ride
Anglo-Saxon Futhark: ᚱ (Rād) - Riding
Gothic Futhark: 𐍂 (Raidō) - Reda < Raida Wagon
Riding is said to be the worst thing for horses
Reginn forged the finest sword.
Ræið kveða rossom væsta
Reginn sló sværðet bæzta.
Riding
Joy of the horsemen
and speedy journey
and toil of the steed.
Reið er sitjandi sæla
ok snúðig ferð
ok jórs erfiði.
iter ræsir.
Riding seems easy to every warrior while he is indoors
and very courageous to him who traverses the high-roads
on the back of a stout horse.
Rad byþ on recyde rinca gehwylcum
sefte ond swiþhwæt, ðamðe sitteþ on ufan
meare mægenheardum ofer milpaþas.

Elder Futhark: ᚲ (Kaunan) - Ulcer? (Or Kenaz Torch?)
Younger Futhark: ᚴ ( Kaun) - Ulcer
Anglo-Saxon Futhark: ᚳ (Cēn) - Torch
Gothic Futhark: 𐌺 (Kaunan) - Chozma < Kusma Or Kōnja Pine Sap
Ulcer is fatal to children
death makes a corpse pale.
Kaun er barna bǫlvan
bǫl gørver nán fǫlvan.
Ulcer
Disease fatal to children
and painful spot
and abode of mortification.
Kaun er barna böl
ok bardaga [för]
ok holdfúa hús.
flagella konungr.
The torch is known to every living man by its pale, bright flame;
it always burns where princes sit within.
Cen byþ cwicera gehwam, cuþ on fyre
blac ond beorhtlic, byrneþ oftust
ðær hi æþelingas inne restaþ.

Elder Futhark: ᚷ (Gebō) - Gift
Younger Futhark: -
Anglo-Saxon Futhark: ᚷ (Gyfu) - Gift
Gothic Futhark: 𐌲 (Gebō) - Geuua
Generosity brings credit and honour, which support one's dignity;
it furnishes help and subsistence
to all broken men who are devoid of aught else.
Gyfu gumena byþ gleng and herenys,
wraþu and wyrþscype and wræcna gehwam
ar and ætwist, ðe byþ oþra leas.

Elder Futhark: ᚹ (Wunjō) - Joy
Younger Futhark: -
Anglo-Saxon Futhark: ᚹ (Ƿynn) - Mirth
Gothic Futhark: 𐍅 (Wunjō) - Uuinne
Bliss he enjoys who knows not suffering, sorrow nor anxiety,
and has prosperity and happiness and a good enough house.
Wenne bruceþ, ðe can weana lyt
sares and sorge and him sylfa hæfþ
blæd and blysse and eac byrga geniht.

Elder Futhark: ᚺ ᚻ (Hagalaz) - Hail (The Precipitation)
Younger Futhark: ᚼ ( Hagall) - Hail
Anglo-Saxon Futhark: ᚻ (Hægl) - Hail Precipitation
Gothic Futhark: 𐌷 (Haglaz) - Haal < Hagal Or Hagls Hail
Hail is the coldest of grain
Christ created the world of old.
Hagall er kaldastr korna
Kristr skóp hæimenn forna.
Hail
Cold grain
and shower of sleet
and sickness of serpents.
Hagall er kaldakorn
ok krapadrífa
ok snáka sótt.
grando hildingr.
Hail is the whitest of grain;
it is whirled from the vault of heaven
and is tossed about by gusts of wind
and then it melts into water.
Hægl byþ hwitust corna; hwyrft hit of heofones lyfte,
wealcaþ hit windes scura; weorþeþ hit to wætere syððan.

Elder Futhark: ᚾ (Naudiz) - Need
Younger Futhark: ᚾ ( Nauðr) - Need
Anglo-Saxon Futhark: ᚾ (Nȳd) - Need Plight
Gothic Futhark: 𐌽 (Naudiz) - Noicz
Constraint gives scant choice
a naked man is chilled by the frost.
Nauðr gerer næppa koste
nøktan kælr í froste.
Constraint
Grief of the bond-maid
and state of oppression
and toilsome work.
Nauð er Þýjar þrá
ok þungr kostr
ok vássamlig verk.
opera niflungr.
Trouble is oppressive to the heart;
yet often it proves a source of help and salvation
to the children of men, to everyone who heeds it betimes.
Nyd byþ nearu on breostan; weorþeþ hi þeah oft niþa bearnum
to helpe and to hæle gehwæþre, gif hi his hlystaþ æror.

Elder Futhark: ᛁ (Īsaz) - Ice
Younger Futhark: ᛁ ( Ísa/Íss) - Ice
Anglo-Saxon Futhark: ᛁ (Īs) - Ice
Gothic Futhark: 𐌹 (Īsaz) - Iiz < Eis Ice
Ice we call the broad bridge
the blind man must be led.
Ís kǫllum brú bræiða
blindan þarf at læiða.
Ice
Bark of rivers
and roof of the wave
and destruction of the doomed.
Íss er árbörkr
ok unnar þak
ok feigra manna fár.
glacies jöfurr.
Ice is very cold and immeasurably slippery;
it glistens as clear as glass and most like to gems;
it is a floor wrought by the frost, fair to look upon.
Is byþ ofereald, ungemetum slidor,
glisnaþ glæshluttur gimmum gelicust,
flor forste geworuht, fæger ansyne.

Elder Futhark: ᛃ (Jēra-) - Year, Good Year, Harvest
Younger Futhark: ᛅ ( Ár) - Plenty
Anglo-Saxon Futhark: ᛡ/ᛄ (Gēr) - Year Harvest
Gothic Futhark: 𐌾 (Jēran) - Gaar
Plenty is a boon to men
I say that Frodi was generous.
Ár er gumna góðe
get ek at ǫrr var Fróðe.
Plenty
Boon to men
and good summer
and thriving crops.
Ár er gumna góði
ok gott sumar
algróinn akr.
annus allvaldr.
Summer is a joy to men, when God, the holy King of Heaven,
suffers the earth to bring forth shining fruits
for rich and poor alike.
Ger byþ gumena hiht, ðonne God læteþ,
halig heofones cyning, hrusan syllan
beorhte bleda beornum ond ðearfum.

Elder Futhark: ᛈ (Perþ-) - Meaning Unclear, Perhaps Pear-Tree.
Younger Futhark: -
Anglo-Saxon Futhark: ᛈ (Peorð) - Unknown
Gothic Futhark: 𐍈 (-) - Uuaer < Ƕair Kettle
Peorth is a source of recreation and amusement to the great,
where warriors sit blithely together in the banqueting-hall.
Peorð byþ symble plega and hlehter
wlancum [on middum], ðar wigan sittaþ
on beorsele bliþe ætsomne.

Elder Futhark: ᛇ (Ī(H)Waz/Ei(H)Waz) - Yew-Tree
Younger Futhark: -
Anglo-Saxon Futhark: ᛇ (Ēoh) - Yew-Tree
Gothic Futhark: 𐍀 (Perþō) - Pertra < Pairþa ?
The yew is a tree with rough bark,
hard and fast in the earth, supported by its roots,
a guardian of flame and a joy upon an estate.
Eoh byþ utan unsmeþe treow,
heard hrusan fæst, hyrde fyres,
wyrtrumun underwreþyd, wyn on eþle.

Elder Futhark: ᛉ (Algiz) - Protection, Shielding .
Younger Futhark: ᛦ ( Yr) - Yew
Anglo-Saxon Futhark: ᛉ (Eolhx) - Elk-Sedge?
Gothic Futhark: 𐌶 (Algiz) - Ezec < ?[6]
Yew is the greenest of trees in winter
it is wont to crackle when it burns.
Ýr er vetrgrønstr viða
vænt er, er brennr, at sviða.
Yew
Bent bow
and brittle iron
and giant of the arrow.
Ýr er bendr bogi
ok brotgjarnt járn
ok fífu fárbauti.
arcus ynglingr.
The Eolh-sedge is mostly to be found in a marsh;
it grows in the water and makes a ghastly wound,
covering with blood every warrior who touches it.
Eolh-secg eard hæfþ oftust on fenne
wexeð on wature, wundaþ grimme,
blode breneð beorna gehwylcne
ðe him ænigne onfeng gedeþ.

Elder Futhark: ᛊ ᛋ (Sōwilō) - Sun
Younger Futhark: ᛋ ( Sól) - Sun
Anglo-Saxon Futhark: ᛋ/ᚴ (Sigel) - Sun
Gothic Futhark: 𐍃 (Sôwilô) - Sugil
Sun is the light of the world
I bow to the divine decree.
Sól er landa ljóme
lúti ek helgum dóme.
Sun
Shield of the clouds
and shining ray
and destroyer of ice.
Sól er skýja skjöldr
ok skínandi röðull
ok ísa aldrtregi.
rota siklingr.
The sun is ever a joy in the hopes of seafarers
when they journey away over the fishes' bath,
until the courser of the deep bears them to land.
Sigel semannum symble biþ on hihte,
ðonne hi hine feriaþ ofer fisces beþ,
oþ hi brimhengest bringeþ to lande.

Elder Futhark: ᛏ (Tīwaz/Teiwaz) - The God Tyr, Sacrifice
Younger Futhark: ᛏ ( Týr) - The God Tyr
Anglo-Saxon Futhark: ᛏ (Tī, Tīr) - Tiw? Mars?[3]
Gothic Futhark: 𐍄 (Tīwaz) - Tyz < Tius The God Týr
Tyr is a one-handed god
often has the smith to blow.
Týr er æinendr ása
opt værðr smiðr blása.
Tyr
God with one hand
and leavings of the wolf
and prince of temples.
Týr er einhendr áss
ok ulfs leifar
ok hofa hilmir.
Mars tiggi.
Tiw is a guiding star; well does it keep faith with princes;
it is ever on its course over the mists of night and never fails.
Tir biþ tacna sum, healdeð trywa wel
wiþ æþelingas; a biþ on færylde
ofer nihta genipu, næfre swiceþ.

Elder Futhark: ᛒ (Berkanan) - Birch
Younger Futhark: ᛒ ( Björk/Bjarkan/Bjarken) - Birch
Anglo-Saxon Futhark: ᛒ (Beorc) - Birch-Tree
Gothic Futhark: 𐌱 (Berkanan) - Bercna < Bairka Birch
Birch has the greenest leaves of any shrub
Loki was fortunate in his deceit.
Bjarkan er laufgrønstr líma
Loki bar flærða tíma.
Birch
Leafy twig
and little tree
and fresh young shrub.
Bjarkan er laufgat lim
ok lítit tré
ok ungsamligr viðr.
abies buðlungr.
The poplar bears no fruit; yet without seed it brings forth suckers,
for it is generated from its leaves.
Splendid are its branches and gloriously adorned
its lofty crown which reaches to the skies.
Beorc byþ bleda leas, bereþ efne swa ðeah
tanas butan tudder, biþ on telgum wlitig,
heah on helme hrysted fægere,
geloden leafum, lyfte getenge.

Elder Futhark: ᛖ (Ehwaz) - Horse
Younger Futhark: -
Anglo-Saxon Futhark: ᛖ (Eh) - Horse
Gothic Futhark: 𐌴 (Eihwaz, Ehwaz) - Eyz
The horse is a joy to princes in the presence of warriors.
A steed in the pride of its hoofs,
when rich men on horseback bandy words about it;
and it is ever a source of comfort to the restless.
Eh byþ for eorlum æþelinga wyn,
hors hofum wlanc, ðær him hæleþ ymb[e]
welege on wicgum wrixlaþ spræce
and biþ unstyllum æfre frofur.

Elder Futhark: ᛗ (Mannaz) - Man
Younger Futhark: ᛘ ( Maðr) - Man
Anglo-Saxon Futhark: ᛗ (Mann) - Man
Gothic Futhark: 𐌼 (Mannaz) - Manna
Man is an augmentation of the dust
great is the claw of the hawk.
Maðr er moldar auki
mikil er græip á hauki.
Man
Delight of man
and augmentation of the earth
and adorner of ships.
Maðr er manns gaman
ok moldar auki
ok skipa skreytir.
homo mildingr.
The joyous man is dear to his kinsmen;
yet every man is doomed to fail his fellow,
since the Lord by his decree will commit the vile carrion to the earth.
Man byþ on myrgþe his magan leof:
sceal þeah anra gehwylc oðrum swican,
forðum drihten wyle dome sine
þæt earme flæsc eorþan betæcan.

Elder Futhark: ᛚ (Laguz) - Water, Lake (Or Possibly Laukaz Leek)
Younger Futhark: ᛚ (Lögr ) - Sea
Anglo-Saxon Futhark: ᛚ (Lagu) - Lay Lake
Gothic Futhark: 𐌻 (Laguz) - Laaz < Lagus Sea, Lake
A waterfall is a River which falls from a mountain-side
but ornaments are of gold.
Lǫgr er, fællr ór fjalle foss
en gull ero nosser.
Water
Eddying stream
and broad geysir
and land of the fish.
Lögr er vellanda vatn
ok viðr ketill
ok glömmungr grund.
lacus lofðungr.
The ocean seems interminable to men,
if they venture on the rolling bark
and the waves of the sea terrify them
and the courser of the deep heed not its bridle.
Lagu byþ leodum langsum geþuht,
gif hi sculun neþan on nacan tealtum
and hi sæyþa swyþe bregaþ
and se brimhengest bridles ne gym[eð].

Elder Futhark: ᛜ ᛝ (Ingwaz) - The God Yngvi
Younger Futhark: -
Anglo-Saxon Futhark: ᛝ (Ing) - Ing Ingui-Frea?
Gothic Futhark: 𐍇 (Ingwaz) - Enguz < Iggus Or Iggws The God Yngvi
Ing was first seen by men among the East-Danes,
till, followed by his chariot,
he departed eastwards over the waves.
So the Heardingas named the hero.
Ing wæs ærest mid East-Denum
gesewen secgun, oþ he siððan est
ofer wæg gewat; wæn æfter ran;
ðus Heardingas ðone hæle nemdun.

Elder Futhark: ᛞ (Dagaz) - Day
Younger Futhark: -
Anglo-Saxon Futhark: ᛞ (Dæg) - Day
Gothic Futhark: 𐍉 (Ōþala) - Utal < Ōþal Ancestral Land
Day, the glorious light of the Creator, is sent by the Lord;
it is beloved of men, a source of hope and happiness to rich and poor,
and of service to all.
Dæg byþ drihtnes sond, deore mannum,
mære metodes leoht, myrgþ and tohiht
eadgum and earmum, eallum brice.

Elder Futhark: ᛟ (Ōþila-/Ōþala-) - Heritage, Estate, Possession
Younger Futhark: -
Anglo-Saxon Futhark: ᛟ (Ēðel) - Ethel Estate, Homeland
Gothic Futhark: 𐌳 (Dagaz) - Daaz
An estate is very dear to every man,
if he can enjoy there in his house
whatever is right and proper in constant prosperity.
Eþel byþ oferleof æghwylcum men,
gif he mot ðær rihtes and gerysena on
brucan on bolde bleadum oftast.

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᚪ (Āc) - Oak-Tree
Gothic Futhark: -
The oak fattens the flesh of pigs for the children of men.
Often it traverses the gannet's bath,
and the ocean proves whether the oak keeps faith
in honourable fashion.
Ac byþ on eorþan elda bearnum
flæsces fodor, fereþ gelome
ofer ganotes bæþ; garsecg fandaþ
hwæþer ac hæbbe æþele treowe.

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᚫ (Æsc) - Ash-Tree
Gothic Futhark: -
The ash is exceedingly high and precious to men.
With its sturdy trunk it offers a stubborn resistance,
though attacked by many a man.
Æsc biþ oferheah, eldum dyre
stiþ on staþule, stede rihte hylt,
ðeah him feohtan on firas monige.

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᚣ (Ȳr) - Some Kind Of Battlegear
Gothic Futhark: -
Yr is a source of joy and honour to every prince and knight;
it looks well on a horse and is a reliable equipment for a journey.
Yr byþ æþelinga and eorla gehwæs
wyn and wyrþmynd, byþ on wicge fæger,
fæstlic on færelde, fyrdgeatewa sum.

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᛡ (Īor) - Beaver?[4] Eel?
Gothic Futhark: -
Iar is a river fish and yet it always feeds on land;
it has a fair abode encompassed by water, where it lives in happiness.
Iar byþ eafix and ðeah a bruceþ
fodres on foldan, hafaþ fægerne eard
wætre beworpen, ðær he wynnum leofaþ.

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᛠ (Ēar) - Grave Soil?
Gothic Futhark: -
The grave is horrible to every knight,
when the corpse quickly begins to cool
and is laid in the bosom of the dark earth.
Prosperity declines, happiness passes away
and covenants are broken.
Ear byþ egle eorla gehwylcun,
ðonn[e] fæstlice flæsc onginneþ,
hraw colian, hrusan ceosan
blac to gebeddan; bleda gedreosaþ,
wynna gewitaþ, wera geswicaþ.

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᛣ (Chalice Sandal) - Calc
Gothic Futhark: -

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᛤ (Unknown) - Unknown
Gothic Futhark: -

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᚸ (Spear) - Gar
Gothic Futhark: -

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᛢ (Unknown) - Cweorð
Gothic Futhark: 𐌵 (Qairþra ) - Quetra < Qairþra ? Or Qairna Millstone

Elder Futhark: -
Younger Futhark: -
Anglo-Saxon Futhark: ᛥ (Stone) - Stan
Gothic Futhark: -
Galdrastafir - Icelandic staves

There are so many different alphabets of these runes which a lot are inspired by the Elder Futhark it seems. Here is a link that’s in the references section as well where you can see them: here . At the end the alphabets 325 to 328 are called the Völvarunes that contain some familiar symbols seen in these which could hide some keys to deciphering these symbols and how they gain their meaning. It’s likely though that a mix of alphabets were used for a sigil and it was likely ciphered further.

It’s first remaining mention to us is in the Konungsbók (The Kings Book or the Codex Regius) in the Fáfnismál, which is actually not a poem itself but scholars have given it a separate name as it is believed this was meant to be a stand alone poem. Since the book is a collection of poems passed down orally then this might as well be from the Viking age or even before. The symbol itself though could be a namesake, but they share a very similar description. The aegishjalmur in the story is an item that Sigurd takes from a dragon, which has been speculated to be a lump of coal with the symbol engraved in it. Thus the Aegishjalmur was not one certain object but rather it could be made again but only few could perhaps make it or use it. The next mention is from one of the most famous black grimoires the Galdrakver. You can see it here. It reads there that you must make it from lead, press it between your eyes and say a poem that follows as: “Ægishjálm er ég ber milli brúna mér!” meaning “I bear the helm of awe between my brows!”. The Aegishjalmur would strike fear into the hearts of the wearers foes.

It’s oldest surviving source is the Huld manuscript where the description reads “Carry this sign with you and you won't get lost in storms or bad weather, even though the way is unknown” the collection was composed by Geir Vigfusson and it consists of earlier works.

This is a direct connection between Solomons sigils and the Galdrastafir. Its for protection and wisdom as well as having great ambitions. The star shape of the branches reaching out is likely to mean protection against all directions as it’s a recurring theme with these types of sigils. Its use it to carve this sign on lignite and then to keep it under ones head. It’s very similar in shape and deeper meaning to the Aegishjalmur.

The description for these two read “Carry these symbols on your left chest, in order to strengthen your mind.” as you can see from the Huld manuscript here it seems there is an equal sign between them, it could mean that drawing sigil can be done in various ways or perhaps they are completely different sigils but serve the same purpose.

The sign in seen in the Galdraskræda book which is said to be a collection of older symbols collected by Jochums M. Eggertssonar. The original symbol had the two side branched extended outwards rather than in creating a circular overall design. The name roughly translates to something like “A lot of strength” or “Plenty of power”
Galdr elements, Staves and Modifiers

The circle aroung the symbol would mean to contain the power of the symbol. This was done by the solomon sigils which the Galdrastafir are heavily based on, there the sigils would call forth demons or powers and the circle around it often contained power words which would then contain the power that was released with the sigil for your use later on

These can be seen on a lot of symbols, very dominantly on the Vegvisir. It's likely a fork to catch energy and then use it in the center of the symbol. They are usually on symbols that get you something or provide you with something, so this furthers implies the point that this will lunge at certain situations or energies and trap them thus providing it to the wielder to use from there on

These are likely from the solar cross we see from petroglyphs. The aegishjalmur is the most famous of using these, thus I believe the aegishjalmur would be blinding the foes that’s why no one could stand against the wielder. These were mostly on things that prevent harm from happening or scaring away encounters ie foxes, people, foes, witches and such.

I believe this would work as both the tip and body stave or modifier. It's purpose would be to power the wielder with the energy contained in the symbol, meaning it would direct it to them instead of them being able to do something with the energy.

Seen on the Vegvisir, this could mean man as an early form of the Madr rune looked like this. It would mean then on the vegvisir that the man is upside down, which could mean that the Vegvisir pulls information in rather than letting energy out. It's used on a very few other symbols if I remember correctly right now. This would probably mean something like a companion considering it's fork end and the two modifiers inbetween (The C and I body parts between the Fork stave and Madr stave). This could be the one leading or showing the way, ie a spirit appearing and taking charges into its own hands, this is speculation and personal interpretation though

These can be seen in the Kaupaloki, so the reflecting part could be the game of Marketing. Two people who trade each have only 1 goal, the buyer needs to get it as cheap as possible while the seller needs to sell it as high as possible. This way it would make sense that the symbol would help you in a sense that you reflect the offers back to the source, ie the other person and when they try to lowball you, you end up lowballing them instead. Going by ancient symbols though this could also symbolize a human and it's aspects, perhaps vulnerability, greed, naiveness etc. My version is that this will expose weak areas and loopholes on what it is prospected on

This seems to be almost certainly like the circle around the symbol which would contain the power inside the symbol, not releasing or radiating it outwards.

This can be seen on the Vegvisir with the fork stave for example, I believe this could work both ways. The vegvisir is grabing energy inwards while this softens the incoming energy.

Could be that incoming energy is taken into small parts and processed and outgoing energy is scatter into small pieced going outwards.

This would let energy flow outwards but not back in, so this would tie into the Aegishjalmur and Ray Stave that only radiate outwards thus striking fear into those on the receiving end.

The opposite of the incoming blocker, it could also tie into the Softening Stave. Digesting some of the incoming energy and not letting it out or collecting it in a bowl like state and then slowly overlfowing with it

A stable point in a symbol, like a pitch that holds the symbol together so it does not fall apart with the energy traveling around it.

Would greatly empower the energy traveling through this point and give a serious boost to the next stave in line. Seen again on the Aegishjalmur that would reflect energy outwards as it seems, this would mean to further empower that energy thus the symbol being so awe striking and feared.

Spreads and weakens energy traveling throughout the symbol, used to take in powerful energy and digest it inside.
https://www.worldhistory.org/article/1309/norse-viking-symbols--meanings/
https://historythings.com/archaeologists-might-found-worlds-oldest-writing-bulgaria/
https://www.folklore.ee/~mare/rahvausund/3_sumbolid_ideoloogia_voim.pdf
https://latvians.com/index.php?en/CFBH/Zimes/zimes-00-sheet.ssi
I need help understanding these runes please reach back to me. It is important to me it might just be gibberish but at the same time it might not be.
What does the arrow pointing down mean?
Thank you!
I was given the “REFLECT, HUMAN STAVE (TIP)” by the goddess Fayre in a dream along with the chakra symbol for the heart what is that supposed to mean? This was as close as I got to finding anything close to what was given to me.
Within each, the wisdom of the other.
seeing the symbols at the top, the markings on your house might mean the power of the sun or a illustrated version of the sun god( a triangle means Fire, Growth, Rebirth and Fertility, Sign of the gods. A line means connection. And a circle means sun, sprout, moon, and eternity)
Carved into one of our stone (reclaimed) of our house is a symbol which has triangle at the bottom with a vertical line going up from it’s tip into a circle with three lines onto that look like how a child would draw thd sun. Any idea what it means please?
amazing I might just start coming here for all my questions
i am so satisfacted.my english is poor, sorry :). thx for approving my user greetings wally
Hi there, I just wanted to let you know your website is amazing and wanted to thank you for having it! I’m a Colombian musician living in the US with a big liking towards (I guess) nordic culture and traditions. I currently have my Spotify full of Estonian Folk Metal (Metsotoll), and other very ethnic bands like Heilung and Wardruna.
Hope you’re having a great new year, keep it up!